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I had to work to put myself through school, so I always worked in the heaviest industries I could f
I had to work to put myself through school, so I always worked in the heaviest industries I could f
I had to work to put myself through school, so I always worked in the heaviest industries I could f
I had to work to put myself through school, so I always worked in the heaviest industries I could f
I had to work to put myself through school, so I always worked in the heaviest industries I could f
I had to work to put myself through school, so I always worked in the heaviest industries I could f
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Edward Burtynsky:
I'm working in this very complex set of issues having to do with who we are as a species and how muEdward Burtynsky:
Somebody referred to what I do as subliminal activism, which I like.Edward Burtynsky:
I can go into the wilderness and not see anyone for days and experience a kind of space that hasn'tEdward Burtynsky:
These landscapes aren't breaking news or necessarily even illegal. These are intentional, purposefuEdward Burtynsky:
As artists, we can help, visually and intellectually, to make people understand that, at some pointEdward Burtynsky:
I no longer see my world as delineated by countries with borders or language, but as seven billionEdward Burtynsky:
In our ephemeral information age, people think we've left behind the stone, bronze, and iron ages.Edward Burtynsky:
I have a fondness for when the landscape becomes surreal.Edward Burtynsky:
Wherever you disrupt water from its natural cycle, there's always a winner and a loser. Whoever isEdward Burtynsky:
No water equals no life. We can have no oil; it's fine. No water - there is no plan b with no water