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I have made all my films for my children with the exception of my first film because my oldest daug
I have made all my films for my children with the exception of my first film because my oldest daug
I have made all my films for my children with the exception of my first film because my oldest daug
I have made all my films for my children with the exception of my first film because my oldest daug
I have made all my films for my children with the exception of my first film because my oldest daug
I have made all my films for my children with the exception of my first film because my oldest daug
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Ken Burns:
I have made a film about jazz that tries to look through jazz to see what it tells us about who weKen Burns:
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.Ken Burns:
Like a layer on a pearl, you can't specifically identify the irritant, the moment of the irritant,Ken Burns:
I think my expectations for myself are much more severe and much more direct. You can't work on a fKen Burns:
The flame is not out, but it is flickering.Ken Burns:
You don't work on something for six years and be blind to the myriad of other approaches.Ken Burns:
The stories from 1975 on are not finished and there is no resolve. I could spend 50 hours on the laKen Burns:
You need, as a historian, essential triangulation from your subject and the only way you get that tKen Burns:
When you are editing, the final master is Aristotle and his poetics. You might have a terrific episKen Burns:
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooti