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I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s
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August Wilson:
I think all in all, one thing a lot of plays seem to be saying is that we need to, as black AmericaAugust Wilson:
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myseAugust Wilson:
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My influences have been what I call my four Bs - the primary one being the blues, then Borges, BaraAugust Wilson:
I don't write particularly to effect social change. I believe writing can do that, but that's not wAugust Wilson:
I think it was the ability of the theater to communicate ideas and extol virtues that drew me to it