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I learned very early that an audience would relax and look at things differently if they felt they
I learned very early that an audience would relax and look at things differently if they felt they
I learned very early that an audience would relax and look at things differently if they felt they
I learned very early that an audience would relax and look at things differently if they felt they
I learned very early that an audience would relax and look at things differently if they felt they
I learned very early that an audience would relax and look at things differently if they felt they
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Twyla Tharp:
I never studied with Balanchine, but his work was very important to me.Twyla Tharp:
I often say that in making dances I can make a world where I think things are done morally, done deTwyla Tharp:
I started formal piano training when I was 4. From there I had little violas, and I had dancing lesTwyla Tharp:
I think people want very much to simplify their lives enough so that they can control the things thTwyla Tharp:
I think that anyone who's pushed to do the very best that they can is privileged. It's a luxury.Twyla Tharp:
I thought I had to make an impact on history. I had to become the greatest choreographer of my timeTwyla Tharp:
I was privileged to be able to study a year with Martha Graham, the last year she was teaching.Twyla Tharp:
I would have to challenge the term, modern dance. I don't really use that term in relation to my woTwyla Tharp:
I'm not one who divides music, dance or art into various categories. Either something works, or itTwyla Tharp:
In terms of individuals who actually inspired me, very few of the academic people that I had access