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I love books, and I love to read, and I had ideas for books that I thought would be neat to read.
I love books, and I love to read, and I had ideas for books that I thought would be neat to read.
I love books, and I love to read, and I had ideas for books that I thought would be neat to read.
I love books, and I love to read, and I had ideas for books that I thought would be neat to read.
I love books, and I love to read, and I had ideas for books that I thought would be neat to read.
I love books, and I love to read, and I had ideas for books that I thought would be neat to read.
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Tony DiTerlizzi:
The exciting thing about doing art for someone else's story is how I can translate their world throTony DiTerlizzi:
I don't look at stories in genres. A good story is a good story, no matter what planet it happens oTony DiTerlizzi:
I get ideas from everywhere: movies, books, movies, nature - it comes into my brain, it sits thereTony DiTerlizzi:
I think, in real life, when we're facing death - that is, when we come out on the other side of it,Tony DiTerlizzi:
With the success of 'Spiderwick,' it's allowed me to be able to have the freedom to really be ableTony DiTerlizzi:
I never want to dumb it down. If there's any simplification, it's just a simplification to make surTony DiTerlizzi:
When I see how fast technology is advancing, my mind thinks of evolution and how organisms also havTony DiTerlizzi:
The most challenging and exciting aspect is the outline and formation of the plot points. This is tTony DiTerlizzi:
My outlines can be 10-20 pages in length and focus primarily on the physical active plot over the eTony DiTerlizzi:
I want my stories to be understood and enjoyed by anyone, so I need 'beta-readers' who will tell me