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I love the idea of bringing my work to the general public, not just people who go to gallery openin
I love the idea of bringing my work to the general public, not just people who go to gallery openin
I love the idea of bringing my work to the general public, not just people who go to gallery openin
I love the idea of bringing my work to the general public, not just people who go to gallery openin
I love the idea of bringing my work to the general public, not just people who go to gallery openin
I love the idea of bringing my work to the general public, not just people who go to gallery openin
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Marco Brambilla:
I think that in a weird way, as technology gets more sophisticated, people have become less aware oMarco Brambilla:
Being able to make work - if it's on your terms, and it's a good fit with the people who are supporMarco Brambilla:
I think in America there's this free flow between fashion, art, architecture, music and design. InMarco Brambilla:
Most of my work has no conventional narrative, so it's not essential to have a beginning and an endMarco Brambilla:
For me, a lot of my work has dealt with what it means to be at the center of the universe and how aMarco Brambilla:
Usually, the energy in elevators is so awkward; I mean, I can't imagine the politics in the ones inMarco Brambilla:
Just doing a project because it's an opportunity won't create meaning. As an artist, I need somethiMarco Brambilla:
I'm a huge cinemaphile. My interest in filmmaking came out of experimenting with different genres,Marco Brambilla:
Thematically, most of my work deals with transition, our culture's constant acceleration, and emotiMarco Brambilla:
I never intended to become a commercial filmmaker in the first place. What I do requires time and e