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I love the sense of looking at the sad, paltry, and yet very familiar spectacle that we must make f
I love the sense of looking at the sad, paltry, and yet very familiar spectacle that we must make f
I love the sense of looking at the sad, paltry, and yet very familiar spectacle that we must make f
I love the sense of looking at the sad, paltry, and yet very familiar spectacle that we must make f
I love the sense of looking at the sad, paltry, and yet very familiar spectacle that we must make f
I love the sense of looking at the sad, paltry, and yet very familiar spectacle that we must make f
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Tracy K. Smith:
I feel most alive, most electric with faith, breath, and courage, when I think of God as a currentTracy K. Smith:
Lately, I've been thinking about the difference between poetry and prose, and as I've experienced iTracy K. Smith:
Prose is something that is persistent in staying in one place long enough to not only zero in on thTracy K. Smith:
Losing my father made me want to find out if I could come up with a version of God or the afterlifeTracy K. Smith:
For years following the death of my mother, I wanted to write about her. I started writing what I tTracy K. Smith:
I had written here and there about my mother in my poems. There are poems for her in my first and sTracy K. Smith:
I have kept journals at different times in my life. And a lot of my early notebooks became places wTracy K. Smith:
I am keenly aware that in writing about my mother, I am writing about my aunts' sister, and that inTracy K. Smith:
I wanted to write the kind of poetry that people read and remembered, that they lived by - the kindTracy K. Smith:
I feel that, as a person of color, I've always been interested in the stories that are quiet and th