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I love the U.K. folk scene. In the States, nobody knows what to do with me. There's still a very na
I love the U.K. folk scene. In the States, nobody knows what to do with me. There's still a very na
I love the U.K. folk scene. In the States, nobody knows what to do with me. There's still a very na
I love the U.K. folk scene. In the States, nobody knows what to do with me. There's still a very na
I love the U.K. folk scene. In the States, nobody knows what to do with me. There's still a very na
I love the U.K. folk scene. In the States, nobody knows what to do with me. There's still a very na
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Rhiannon Giddens:
When I first got into string-band music I felt like such an interloper. It was like I was sneakingRhiannon Giddens:
I remember so vividly the first time I saw one of Marshall Wyatt's superb compilations called 'FolkRhiannon Giddens:
Getting into the banjo and discovering that it was an African-American instrument, it totally turneRhiannon Giddens:
When I first heard the minstrel banjo - I played a gourd first - I almost lost my mind. I was like,Rhiannon Giddens:
Well, you know, the original banjos were all handmade instruments. Gourd - it would be made with goRhiannon Giddens:
So my mom's folks are from one side of Greensboro - and, you know, outside of Greensboro. And my daRhiannon Giddens:
I decided to study music my last year in high school.Rhiannon Giddens:
History is my biggest teacher.Rhiannon Giddens:
Black women have historically had the most to lose and have therefore been the fiercest fighters foRhiannon Giddens:
I had this dream like years ago. I had this dream - I wanted to be in an all-black string band.