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I never thought about what I would write. I just come from such a big family of storytellers.
I never thought about what I would write. I just come from such a big family of storytellers.
I never thought about what I would write. I just come from such a big family of storytellers.
I never thought about what I would write. I just come from such a big family of storytellers.
I never thought about what I would write. I just come from such a big family of storytellers.
I never thought about what I would write. I just come from such a big family of storytellers.
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Molly Antopol:
I really look up to writers who are able to write compressed, single-scene stories, where everythinMolly Antopol:
I've always loved short stories. Even before I was a writer, I was reading short stories - there weMolly Antopol:
One of the things I admire about longer stories is the way writers can work with dead time and slowMolly Antopol:
One of the main reasons I write fiction is to try to understand what life is like for people otherMolly Antopol:
In terms of the Eastern Europe stories, my family is originally from there; even as a kid, it was tMolly Antopol:
I always tell my students to seek out other writers as models, and though it took me years to heedMolly Antopol:
The idea that we should write towards the unknown aspects of our experience was totally groundbreakMolly Antopol:
In a sense, any story that anyone writes is going to be autobiographical - whether it deals directlMolly Antopol:
When I'm writing a story, which takes me a year or more, I can feel my character living with me - tMolly Antopol:
All the stories in 'The UnAmericans' required interviews, travel, hours and hours in the archives.