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I only travel to good material, a good director and a good company. I won't work in another country
I only travel to good material, a good director and a good company. I won't work in another country
I only travel to good material, a good director and a good company. I won't work in another country
I only travel to good material, a good director and a good company. I won't work in another country
I only travel to good material, a good director and a good company. I won't work in another country
I only travel to good material, a good director and a good company. I won't work in another country
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Jim Dale:
The joy about the recording is that you are your own boss. You don't have a director telling you hoJim Dale:
You've got to love the villain if you have to play him. You've got to find something that you can lJim Dale:
I feel if some kid has sat down and felt I'm important enough to write two pages of words to and taJim Dale:
It's a little like casting out hundreds of fishing lines into the audience. You start getting littlJim Dale:
When I was nine, we'd take a bus to the seaside. Coming back, we'd take turns entertaining, singingJim Dale:
I'd get more applause than some because I was just seventeen. If they didn't clap at the end of myJim Dale:
We talk about theatre museums filled with old costumes and things. What we also need is a theatre mJim Dale:
I remember certain people in the audience laughing and I wanted to ask: 'What are you laughing at?Jim Dale:
I'd rather get a good clean laugh with good material, than an easy laugh by swearing or shocking. TJim Dale:
Good acting is consistency of performance.