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I realise that I had the best of serious picture journalism. There was an innocence in our approach
I realise that I had the best of serious picture journalism. There was an innocence in our approach
I realise that I had the best of serious picture journalism. There was an innocence in our approach
I realise that I had the best of serious picture journalism. There was an innocence in our approach
I realise that I had the best of serious picture journalism. There was an innocence in our approach
I realise that I had the best of serious picture journalism. There was an innocence in our approach
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Eve Arnold:
What do you hang on the walls of your mind?Eve Arnold:
I look for a sense of reality with everything I did. I didn't work in a studio, I didn't light anytEve Arnold:
It's hard for me to assess what I brought because each time you pick up a camera and point it at aEve Arnold:
It doesn't matter if you use a box camera or you use a Leica; the important thing is what motivatesEve Arnold:
What has changed is that when I photographed, most people that I photographed didn't have the rightEve Arnold:
It is the photographer, not the camera, that is the instrument.Eve Arnold:
If a photographer cares about the people before the lens and is compassionate, much is given.Eve Arnold:
What I have tried to do is involve the people I was photographing... if they were willing to give,Eve Arnold:
I can't hold a camera anymore.Eve Arnold:
I want the subject to be in control. Because they will give me something I couldn't possibly know a