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I started out on an apprenticeship in Hollywood working as an assistant to Hans Zimmer and another
I started out on an apprenticeship in Hollywood working as an assistant to Hans Zimmer and another
I started out on an apprenticeship in Hollywood working as an assistant to Hans Zimmer and another
I started out on an apprenticeship in Hollywood working as an assistant to Hans Zimmer and another
I started out on an apprenticeship in Hollywood working as an assistant to Hans Zimmer and another
I started out on an apprenticeship in Hollywood working as an assistant to Hans Zimmer and another
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Ramin Djawadi:
As a film composer, you have to be a good collaborator.Ramin Djawadi:
In the case of 'Game Of Thrones,' I've been to set a couple of times, and it's really exciting andRamin Djawadi:
I always really wanted to do film scoring, largely because I hate writing lyrics. I just won't do iRamin Djawadi:
I wanted to play in bands and get signed by a record label and tour the world and stuff, but that nRamin Djawadi:
A lot of people have said, 'Do a Westworld tour!' I definitely have ideas, because we could do a whRamin Djawadi:
In 'Westworld,' I really got to explore new areas, stylistically. We had the Indian world, we had SRamin Djawadi:
With 'Game of Thrones,' the most dominant instrument would definitely be the cello. That's somethinRamin Djawadi:
I feel choir just has a great sense of power when used with an orchestra, or even by itself.Ramin Djawadi:
The piano is not really in the language of the 'Game of Thrones' score.Ramin Djawadi:
The piano has a huge dynamic range that almost no other instruments have. It can play very low, and