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I think I always knew that I would do something with art because it was the one thing that I knew I
I think I always knew that I would do something with art because it was the one thing that I knew I
I think I always knew that I would do something with art because it was the one thing that I knew I
I think I always knew that I would do something with art because it was the one thing that I knew I
I think I always knew that I would do something with art because it was the one thing that I knew I
I think I always knew that I would do something with art because it was the one thing that I knew I
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Brian Selznick:
I think the most important thing you can do is to keep drawing no matter what. And to not be afraidBrian Selznick:
But I'm a fairly mechanical worker - I tend not to think about themes so much as plot. I want to geBrian Selznick:
What interests me about clocks is that everything is hand-made, and yet to the person looking at thBrian Selznick:
The orphan in children's literature allows the child protagonist to move the story forward themselvBrian Selznick:
I think everything belongs in a certain place, for kids who feel they don't belong anywhere. A museBrian Selznick:
A friend suggested that I get a job at a children's book store so I could meet kids and read books,Brian Selznick:
I've been taking art lessons since I was little, and I've always drawn. I think in pictures.Brian Selznick:
A lot of times, people complain about how books and stories change when they're translated to the sBrian Selznick:
I majored in illustration at the Rhode Island School of Design, although I never had any intentionBrian Selznick:
It's fun to see how other artists adapt my work.