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I think it's going to be the most difficult thing to do, to leave the stage. But if you have no luc
I think it's going to be the most difficult thing to do, to leave the stage. But if you have no luc
I think it's going to be the most difficult thing to do, to leave the stage. But if you have no luc
I think it's going to be the most difficult thing to do, to leave the stage. But if you have no luc
I think it's going to be the most difficult thing to do, to leave the stage. But if you have no luc
I think it's going to be the most difficult thing to do, to leave the stage. But if you have no luc
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Sylvie Guillem:
The Palais Garnier was part of my childhood, my pseudo-adolescence, my life.Sylvie Guillem:
The problems I had with the Paris Opera Ballet are a thing of the past.Sylvie Guillem:
I have learned a great deal from the theatrical side of Covent Garden. The Paris Opera Ballet is moSylvie Guillem:
There are some ballets you can do for a long time. With others, you have to know when to stop. SomeSylvie Guillem:
At the Paris Opera Ballet, they were always making choices for me.Sylvie Guillem:
There is a false idea that I am stubborn and do only what I want, but really, I am like a sponge.Sylvie Guillem:
It is in my nature to be a little shy. It takes time for me to talk to people and trust them.Sylvie Guillem:
I can't have friends in every port. I have to work very hard and be very clear about what I want toSylvie Guillem:
A performance is like a boat. You really want it to arrive at port. So when something goes wrong anSylvie Guillem:
Some choreographers have been cautious about working with me.