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I think most serious writers, certainly in the modern period, use their own lives or the lives of p
I think most serious writers, certainly in the modern period, use their own lives or the lives of p
I think most serious writers, certainly in the modern period, use their own lives or the lives of p
I think most serious writers, certainly in the modern period, use their own lives or the lives of p
I think most serious writers, certainly in the modern period, use their own lives or the lives of p
I think most serious writers, certainly in the modern period, use their own lives or the lives of p
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Chaim Potok:
To the extent that I come from a deeply religious tradition and have been contending with those begChaim Potok:
There is in my work a very strong religious foreground and background. In the later work some of thChaim Potok:
If I had a plot that was all set in advance, why would I want go through the agony of writing the nChaim Potok:
What I have in advance are people I want to write about and a problem or problems that I see thoseChaim Potok:
I think the hardest part of writing is revising. And by that I mean the following: A novelist has tChaim Potok:
A non-fiction writer pretty much has the shape of the figure in front of him or her and goes aboutChaim Potok:
I'm constantly revising. Once the book is written and typed, I go through the entire draft again.Chaim Potok:
I get up around 6:30. I work from about 8:00 to 1:00, take a break for lunch, work again until abouChaim Potok:
I don't work on my Sabbath. I write five-and-a-half or six days a week.Buddy DeFranco:
When you're playing jazz, you have to somehow overcome that feeling of being intimidated because yo