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I think probably you can either write for kids, or you can't. That ability to imaginatively be a ch
I think probably you can either write for kids, or you can't. That ability to imaginatively be a ch
I think probably you can either write for kids, or you can't. That ability to imaginatively be a ch
I think probably you can either write for kids, or you can't. That ability to imaginatively be a ch
I think probably you can either write for kids, or you can't. That ability to imaginatively be a ch
I think probably you can either write for kids, or you can't. That ability to imaginatively be a ch
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Morris Gleitzman:
In 1969, we emigrated to Australia. It was a big change. The heat, the flies, and the completely diMorris Gleitzman:
I discovered you can get closer to a character's thoughts and feelings in a book than in a film.Morris Gleitzman:
I've always been interested in setting my stories against a big event, the importance of which my yMorris Gleitzman:
I like the idea of young readers using my stories as a sort of moral gym, where they can flex and dMorris Gleitzman:
At around nine or 10 years of age, young people start to decide for themselves what's moral or not,Morris Gleitzman:
Kids aren't political, but around 10 years old, they are beginning to develop the moral grounding tMorris Gleitzman:
I prefer watching people on a screen, and I've had the most pleasurable people-watching experiencesMorris Gleitzman:
When I did finally live in the Dandenongs, the mountain ash forests became an important part of myMorris Gleitzman:
Because of my poor writing posture, I started walking in the forest every day, and I found it a potMorris Gleitzman:
I would never write stories with only despair and defeat and the dark side of life.