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I think some of the special effects in Close Encounters hold up better than the new more expensive
I think some of the special effects in Close Encounters hold up better than the new more expensive
I think some of the special effects in Close Encounters hold up better than the new more expensive
I think some of the special effects in Close Encounters hold up better than the new more expensive
I think some of the special effects in Close Encounters hold up better than the new more expensive
I think some of the special effects in Close Encounters hold up better than the new more expensive
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Bob Balaban:
I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn releaseBob Balaban:
I mean, the whole idea of movies was it was special to go to see - you went to a movie theater to sBob Balaban:
I loved being in Close Encounters, just to watch Steven Spielberg working was exciting.Bob Balaban:
I have a 92 year old father whose doing beautifully who lives in Chicago and a sister and a nephewBob Balaban:
I always think that a director who knows about the technical side, but cares about the acting perfoBob Balaban:
God, I'd love to do a big commercial movie that made a lot of money and whose plot was interestingBob Balaban:
But obviously as television began, it so undercut movies that he was trying to think of a way to coBob Balaban:
And I think being a good director is being able to be completely tyrannical and you've got to be anKevin Ayers:
England is so defined, the class system, your education. I think what was unique about the CanterbuKevin Ayers:
That was something. As opposed to nothing.