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I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing per
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing per
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing per
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing per
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing per
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing per
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Jim Coleman:
But Contra la Puerta was done mostly in the opposite way, starting with sounds and melodies.Jim Coleman:
In scoring, I usually start with a sound or group of sounds, searching out what feels right.Jim Coleman:
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly becausJim Coleman:
For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cJim Coleman:
As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy GJim Coleman:
I do remember being in high school and trying to go to an Outlaws concert, but I was too drunk andJim Coleman:
So, through playing with Cop I realized that there is a potentially interested audience out in theJim Coleman:
First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and finJim Coleman:
I'm from all over the Northeast.Jim Coleman:
I grew up outside of DC, New York state, and Connecticut.