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I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
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I. M. Pei:
We had a lot of difficulty in getting the French to accept the pyramid. They thought we were tryingI. M. Pei:
I've never left China. My family's been there for 600 years. But my architecture is not consciouslyI. M. Pei:
I came, I studied architecture in America, so my technical background's completely western. But myI. M. Pei:
I have a great love for nature. That must have started somewhere down back home, I think, because mI. M. Pei:
One thing I learn - I've been in practice now for half a century or more, and the most important inI. M. Pei:
To me, form doesn't always follow function. Form has a life of its own, and at times, it may be theI. M. Pei:
Even a beautiful piece of work can be overshadowed, destroyed, by something else.I. M. Pei:
I'd been going to the Louvre since 1951. I thought I knew Paris and the French, but I didn't reallyI. M. Pei:
The essence of architecture is form and space, and light is the essential element to the key to arcI. M. Pei:
In northern architecture - the cathedrals of Europe and all the little churches - the details, the