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I think the composer and production staff of an opera have a real responsibility to use visual elem
I think the composer and production staff of an opera have a real responsibility to use visual elem
I think the composer and production staff of an opera have a real responsibility to use visual elem
I think the composer and production staff of an opera have a real responsibility to use visual elem
I think the composer and production staff of an opera have a real responsibility to use visual elem
I think the composer and production staff of an opera have a real responsibility to use visual elem
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John Eaton:
We need to open up the future. We also need to keep everything valuable from the past.John Eaton:
We need to have as broad a range as possible, because life itself has that kind of range.John Eaton:
Well, the very best operas are the ones written by the very best composers.John Eaton:
It's music ultimately that matters in opera, and opera is a piece of music reaching out as a visionJohn Eaton:
However, yes, especially as one gets older, you know, you really hope that your music will become mJohn Eaton:
Well, opera began with an intent to resuscitate Greek drama, that is, modern opera as we know it.John Eaton:
If you look at the timing of many of the Greek dramas from the theatrical point of view, it's all oJohn Astin:
People are smarter than you might think.John Astin:
One of the great things about being recognized is that you receive this feedback from people. It isJohn Astin:
Sometimes when I see a performance that really takes me, I struggle. How can I express this to this