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I think the most important thing we as writers can do is figure out how we define what success will
I think the most important thing we as writers can do is figure out how we define what success will
I think the most important thing we as writers can do is figure out how we define what success will
I think the most important thing we as writers can do is figure out how we define what success will
I think the most important thing we as writers can do is figure out how we define what success will
I think the most important thing we as writers can do is figure out how we define what success will
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M. J. Rose:
I'm realistic about my career as a novelist. I'm certainly not a superstar and far, far from a housM. J. Rose:
From the very beginning, I envisioned success as selling enough books so I could keep getting publiM. J. Rose:
Buy other authors' books when you go to their events. Even if you aren't going to read it. Even ifM. J. Rose:
Find out if your radio interviewer has read your book, or you are going to have to do that part ofM. J. Rose:
Ask your editor or ask your agent to find out what the house's goals are for your book before it coM. J. Rose:
Save yourself some grief. Check with the publicist you hire to see what other books he/she has comiM. J. Rose:
Estimates are that in 2012, more than 32 million books were available - the explosion, thanks to thM. J. Rose:
We need to write books that publicists and marketers and booksellers and book club leaders and librM. J. Rose:
PR and marketing doesn't sell books. It gets attention for them. It sends readers to bookstores andM. J. Rose:
With so many millions of titles available, the books that will get talked about are the books that