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I was 17 when I decided to write stories as big as cathedrals, overflowing with the kind of memorab
I was 17 when I decided to write stories as big as cathedrals, overflowing with the kind of memorab
I was 17 when I decided to write stories as big as cathedrals, overflowing with the kind of memorab
I was 17 when I decided to write stories as big as cathedrals, overflowing with the kind of memorab
I was 17 when I decided to write stories as big as cathedrals, overflowing with the kind of memorab
I was 17 when I decided to write stories as big as cathedrals, overflowing with the kind of memorab
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Philip Schultz:
I never doubted my talent. If talent was the circus, then I was its ringmaster and audience, applauPhilip Schultz:
With my fiction, I focused on chapters and overall conceptions, while in poetry, I crawled along inPhilip Schultz:
Art's power of persuasion resides in the small personal details of one's own story, and if it werenPhilip Schultz:
I'd grown accustomed to seeing myself as someone who, if fallible and unworthy, had nevertheless maPhilip Yancey:
Most of the great books on prayer are written by 'experts' - monks, missionaries, mystics, saints.Philip Yancey:
When I write, I try to represent the ordinary person in the pew, which means that, ironically, I'mPhilip Yancey:
It's too bad prayer comes bundled in a package of 'spiritual disciplines.' Really, we should see prPhilip Yancey:
God already knows the naked truth about us, of course. Why not acknowledge it?Philip Yancey:
In China, where you can be arrested and imprisoned for your faith, getting together with other ChriPhilip Yancey:
What I see in the Bible, especially in the book of Psalms, which is a book of gratitude for the cre