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I was interested in what was really going on in Salem at that time, and I resolved to investigate t
I was interested in what was really going on in Salem at that time, and I resolved to investigate t
I was interested in what was really going on in Salem at that time, and I resolved to investigate t
I was interested in what was really going on in Salem at that time, and I resolved to investigate t
I was interested in what was really going on in Salem at that time, and I resolved to investigate t
I was interested in what was really going on in Salem at that time, and I resolved to investigate t
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Carlisle Floyd:
If an American audience is given a serious musical theater piece that is well produced, dramaticallCarlisle Floyd:
If something is successful with the audience, it's automatically suspect; the reverse is to say thaCarlisle Floyd:
Like any other composer of opera, I choose a subject not for polemical reasons, but because it contCarlisle Floyd:
People in very high places suddenly fall, and we are always surprised because we don't factor in thCarlisle Floyd:
The artist is something of an outsider in America. I have always felt that America does not value iCarlisle Floyd:
The story of Willie Stark fascinated me because it was tackling the story of a man who outwardly haCarlisle Floyd:
There is something inherent in our democracy that tends to want to level. America is a little uncomCarlisle Floyd:
There's the Bacon society, which is fostered by his fourth wife Helen Bacon, but I don't know whatCarlisle Floyd:
When I've seen my operas in Europe, they have always struck me as more American than when I hear thCarlisle Floyd:
It's amazing how fast generations lose sight of other generations. One of the first things the youn