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I was working in a music store in London, and this particular place happened to be the importers fo
I was working in a music store in London, and this particular place happened to be the importers fo
I was working in a music store in London, and this particular place happened to be the importers fo
I was working in a music store in London, and this particular place happened to be the importers fo
I was working in a music store in London, and this particular place happened to be the importers fo
I was working in a music store in London, and this particular place happened to be the importers fo
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Chris Squire:
I think the first three Rickenbacker basses were imported around 1964. Pete Quaife, the bassist forChris Squire:
People are used to us being onstage for a while.Chris Squire:
Over the years, Yes actually made 20 albums of original studio material.Chris Squire:
I guess the idea of doing albums in their entirety, in sequence, appeals to people. I guess it's thChris Squire:
The Seventies were just an interesting time for us because we were building the brand of the name bChris Squire:
I couldn't get session work because most musicians hated my style.Chris Squire:
We started Yes as a vehicle to develop everyone's individual styles.Chris Squire:
Of course, Paul McCartney's sound is different from mine, but it's the way you hear things, really.Ken Robinson:
I believe this passionately: that we don't grow into creativity, we grow out of it. Or rather, we gKen Robinson:
Many highly talented, brilliant, creative people think they're not - because the thing they were go