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I wasn't interested in holding onto the evidence of things.
I wasn't interested in holding onto the evidence of things.
I wasn't interested in holding onto the evidence of things.
I wasn't interested in holding onto the evidence of things.
I wasn't interested in holding onto the evidence of things.
I wasn't interested in holding onto the evidence of things.
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Jim Hodges:
It's as if I were collaborating with myself, revealing my relationship to the material. My hand wouJim Hodges:
There is a broad range of reaction to the work, as there is a broad range of work I make.Jim Hodges:
But most people don't come up to me and express a lot of emotion.Jim Hodges:
As a viewer, my own work elicits strong emotional reaction from me.Jim Hodges:
However, some of my work is very subtle, and one should expect very subtle reactions to it.Jim Hodges:
I'm an average person.Jim Hodges:
I think that some works are more accessible than others.Jim Hodges:
I work from a personal place, and the work has personal meaning for me.Jim Hodges:
Often, I work out of my work. One work takes me to the next thing.Jim Hodges:
I was trying to write an autobiography using prints and patterns that reference emotional, psycholo