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I work with nature, although in completely new terms.
I work with nature, although in completely new terms.
I work with nature, although in completely new terms.
I work with nature, although in completely new terms.
I work with nature, although in completely new terms.
I work with nature, although in completely new terms.
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Bridget Riley:
Painters have always needed a sort of veil upon which they can focus their attention. It's as thougBridget Riley:
An artist's early work is inevitably made up of a mixture of tendencies and interests, some of whicBridget Riley:
As a painter today you have to work without that essential platform. But if one does not deceive onBridget Riley:
Focusing isn't just an optical activity, it is also a mental one.Bridget Riley:
His failures are as valuable as his successes: by misjudging one thing he conforms something else,Bridget Riley:
I think this lack of a center has something to do with the loss of certainties that Christianity haBridget Riley:
I used to build up to sensation, accumulating tension until it released a perceptual experience.Bridget Riley:
In my earlier paintings, I wanted the space between the picture plane and the spectator to be activBridget Riley:
Painting is, I think, inevitably an archaic activity and one that depends on spiritual values.Bridget Riley:
There was a time when meanings were focused and reality could be fixed; when that sort of belief di