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I'd be far too self-conscious and insecure if I suspected my editor might be a better novelist than
I'd be far too self-conscious and insecure if I suspected my editor might be a better novelist than
I'd be far too self-conscious and insecure if I suspected my editor might be a better novelist than
I'd be far too self-conscious and insecure if I suspected my editor might be a better novelist than
I'd be far too self-conscious and insecure if I suspected my editor might be a better novelist than
I'd be far too self-conscious and insecure if I suspected my editor might be a better novelist than
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Hanya Yanagihara:
I've always thought that one of the least successful encounters is meeting a writer one admires. FoHanya Yanagihara:
I wrote my second novel, 'A Little Life,' in what I still think of as a fever dream: For 18 months,Hanya Yanagihara:
From 1999 through 2001, I was an editor at a now-defunct magazine about the media industry called 'Hanya Yanagihara:
There is something uniquely American about the motel: It speaks to the transient nature of AmericaHanya Yanagihara:
There comes a point when you're writing a novel when you're in it so deep that the life of the noveHanya Yanagihara:
I wanted to write a story about colonization and about Hawaii. I went to college right at the heighHanya Yanagihara:
One of the fun things about unreliable narrators is they can be funny. You can admire things aboutHanya Yanagihara:
Publishing is a business, and I completely understand it. But when you don't have to depend on writHanya Yanagihara:
I think fiction writers should work. If you have a job and are not living off advances or grants, yHanya Yanagihara:
When you write a novel, you never have to be in the service of the reader. My only concern with my