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If I had a pull on 'One of These Nights,' on the first high note on 'One of These Nights,' that was
If I had a pull on 'One of These Nights,' on the first high note on 'One of These Nights,' that was
If I had a pull on 'One of These Nights,' on the first high note on 'One of These Nights,' that was
If I had a pull on 'One of These Nights,' on the first high note on 'One of These Nights,' that was
If I had a pull on 'One of These Nights,' on the first high note on 'One of These Nights,' that was
If I had a pull on 'One of These Nights,' on the first high note on 'One of These Nights,' that was
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Don Felder:
I was constantly in the studio at my home writing ideas that would later become 'Hotel California'Don Felder:
One of the songs we recorded for 'The Long Run' was called 'You're Really High, Aren't You?' WhichDon Felder:
Don't forget, Stephen Stills and I had a band in Gainesville called the Continentals when we were 1Don Felder:
Tom Petty was one of my guitar students; I knew Duane, and Stephen and I had a band. When he left,Don Felder:
Being in a band with three guitar players, one thing you need to do is learn to make each guitar voDon Felder:
I especially enjoyed some of the old hairstyles, with my hair down to my shoulders and a beard. AndDon Felder:
When you got on the private plane, you had your own private lounge where you could close the door.Don Felder:
When the band first formed, everybody had been sidemen. So they said, 'In this band there are no siDon Felder:
I never challenged control of the band. Basically, all I did was start asking questions. There's anDon Felder:
For every album we worked on, I brought in reels of tape of somewhere between fourteen and eighteen