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If people aren't in sync, things won't work out well.
If people aren't in sync, things won't work out well.
If people aren't in sync, things won't work out well.
If people aren't in sync, things won't work out well.
If people aren't in sync, things won't work out well.
If people aren't in sync, things won't work out well.
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Stephen Hopkins:
It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to anotherStephen Hopkins:
There's no attempt to manipulate the audience. We made our choice at the start.Stephen Hopkins:
To be able to rely completely on the actors was a very simple process for me.Stephen Hopkins:
We shoot double episodes in 15 days in Los Angeles.Stephen Hopkins:
We use a lot of source music on some shows and none on others.Stephen Hopkins:
When I was thinking of casting this, I thought, What roles would Sellers be playing now?Stephen Hopkins:
24 isn't like other shows, where you set the look once and you're done. The show started at midnighStephen Hopkins:
Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in termsStephen Hopkins:
Each environment has its own signature. Sound tells a story: You make choices about what you're heaStephen Hopkins:
I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 15