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If there's one thing, I've been pretty good at evaluating people.
If there's one thing, I've been pretty good at evaluating people.
If there's one thing, I've been pretty good at evaluating people.
If there's one thing, I've been pretty good at evaluating people.
If there's one thing, I've been pretty good at evaluating people.
If there's one thing, I've been pretty good at evaluating people.
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Michel Legrand:
So I write melodies - thirty, forty, fifty - then I cast them off until I have just two or three. IMichel Legrand:
My father had left behind an old piano. My sister was already going to school, my mother was out woMichel Legrand:
I would listen to something on the radio and try to tap out the melody, then the harmonies.Michel Legrand:
I have a very strange melodic gift: melodies come to me effortlessly.Michel Legrand:
Here is how I work: when I think that a film needs to have a principal theme, I search for a melodyDominic Chianese:
For TV I don't think I could have gotten a better part than Uncle Junior because of the intimacy ofDominic Chianese:
I had to audition for the part of Jnior, and I wanted the role terribly because I knew it was a greDominic Chianese:
Uncle Junior is a criminal, which makes him a villain, so it makes people want to watch him. My whoDominic Chianese:
The anger that Uncle Junior has comes from my background. My father was the son of an Italian immigDominic Chianese:
My father was an American who could cuss in Italian and make an aria out of it. It was wonderful to