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If you think you're going to create an unposed photograph, think again. There is no such thing.
If you think you're going to create an unposed photograph, think again. There is no such thing.
If you think you're going to create an unposed photograph, think again. There is no such thing.
If you think you're going to create an unposed photograph, think again. There is no such thing.
If you think you're going to create an unposed photograph, think again. There is no such thing.
If you think you're going to create an unposed photograph, think again. There is no such thing.
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Errol Morris:
First of all, tabloid stories are some of the richest and most important stories that we have. TherErrol Morris:
If you're a journalist - and I think, on some level, I'm a journalist, and proud to be a journalistErrol Morris:
A lot of stories that have fascinated me are tabloid stories that have come from other newspapers,Errol Morris:
A lot of the themes of my movies, the actual stories, come from tabloid stories.Errol Morris:
Photographs can reveal something to us, and they can also conceal things.Errol Morris:
My stuff always starts with interviews. I start interviewing people, and then slowly but surely, aErrol Morris:
I used to work as a private detective years and years ago.Errol Morris:
There are endless anxieties in putting a film together, and it's an enormous relief when you know iErrol Morris:
I've never had any problem with crazy people. I like crazy people; I probably am a crazy person mysErrol Morris:
I like to think that I'm nonjudgmental, that I can listen and be engaged by almost anything.