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If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things m
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things m
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things m
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things m
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things m
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things m
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Nancy Kress:
Pace, like everything else in writing, involves a trade-off. If you're not offering the reader a loNancy Kress:
Conflict drives fiction; no one wants to read a four-hundred-page novel in which everything rolls aNancy Kress:
If you consistently write 'The sun set' rather than 'The sun sank slowly in the bright western sky,Nancy Kress:
How many times have you opened a book, read the first few sentences and made a snap decision aboutNancy Kress:
Questions that require answers are what keep readers going - and the place to start raising those qNancy Kress:
The most-asked question when someone describes a novel, movie or short story to a friend probably iNancy Kress:
A brief short story may require only a few paragraphs after the climax. On the other hand, in his mNancy Kress:
A true epilogue is removed from the story in time or space. That's the reason it is called an 'EpilNancy Kress:
You have considerable choice in how you end your fiction. For all stories, the basic rule is the saNancy Kress:
Even if your novel occurs in an unfamiliar setting in which all the customs and surroundings will s