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I'm a big believer in pairing classics with contemporary literature, so students have the opportuni
I'm a big believer in pairing classics with contemporary literature, so students have the opportuni
I'm a big believer in pairing classics with contemporary literature, so students have the opportuni
I'm a big believer in pairing classics with contemporary literature, so students have the opportuni
I'm a big believer in pairing classics with contemporary literature, so students have the opportuni
I'm a big believer in pairing classics with contemporary literature, so students have the opportuni
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John Green:
I don't think we should see the world of books as fundamentally separate from the world of the InteJohn Green:
There is a lot of talk in publishing these days that we need to become more like the Internet: We nJohn Green:
I think instead writers and publishers and readers need to go to the places where people are, and mJohn Green:
I wrote my first novel and my second novel in Chicago. It was the place where I became a writer. ItJohn Green:
I realized during my time as a chaplain that I didn't want to be a minister.John Green:
I always wondered if there was a purpose to the universe, if there was a plan, if there was some soJohn Green:
I know that books seem like the ultimate thing that's made by one person, but that's not true. EverJohn Green:
I don't decide where I live. My wife decides. She's a curator of contemporary art, and she works atJohn Green:
Chicago is the Great American City, and it was really great to live there during a time of economicJohn Green:
I like to know the places I write about. I feel like it helps me ground the novel. My novels are 'r