I'm a romantic. The impressionists have always been my favorites. I like prettiness - beauty, or what I perceive as beauty.

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• Paul Horn:

  The 'Inside' record definitely opened up a whole new audience.

• Paul Horn:

  Even back when I played 'straight-ahead,' I mixed it up. I played some free-form, classical adaptat

• Paul Horn:

  It's not music you can evaluate in traditional ways. If you look around at a concert, you might see

• Paul Horn:

  We were the first small American jazz group since Sidney Bechet in 1927 to play for the public in M

• Paul Horn:

  After I came out of surgery - I was in the hospital for five weeks - I found that I gravitated towa

• Paul Horn:

  In 1983, all of us had U.S. passports, but because there was so much tension between America and th

• Paul Horn:

  The enthusiasm, the adulation for us as jazz artists, in Kiev and Odessa was really heartwarming.

• Penelope Lively:

  The consideration of change over the century is about loss, though I think that social change is ga

• Penelope Lively:

  I'm not an historian but I can get interested - obsessively interested - with any aspect of the pas

• Penelope Lively:

  There's a preoccupation with memory and the operation of memory and a rather rapacious interest in