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I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, mora
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, mora
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, mora
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, mora
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, mora
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, mora
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Kara Walker:
There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was aKara Walker:
Sugar crystallizes something in our American soul. It is emblematic of all industrial processes. AnKara Walker:
The illusion is that most of my work is simply about past events: a point in history and nothing elKara Walker:
A lot of what I was wanting to do in my work and what I have been doing has been about the unexpectKara Walker:
I'm a sponge for historical images of black people and black history on film.Kara Walker:
I've seen people glaze over when they're confronted with racism, and there's nothing more, you knowKara Walker:
I have no interest in making a work that doesn't elicit a feeling.Kara Walker:
I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire thatKara Walker:
I don't know how much I believe in redemptive stories, even though people want them and strive forKara Walker:
I really love to make sweeping historical gestures that are like little illustrations of novels.