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I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beaut
I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beaut
I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beaut
I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beaut
I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beaut
I'm more attracted to art that smashes than I am attracted to art that sits on a shelf and is beaut
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George C. Wolfe:
I love Kabuki, Noh theater and bunraku.George C. Wolfe:
I was raised to believe that other people's suffering was my responsibility.George C. Wolfe:
When I was little, I remember rehearsing starving so that when I got to New York I would know how tGeorge C. Wolfe:
In Los Angeles, wealth and poverty are separated by the freeways. In New York, they're next to eachGeorge C. Wolfe:
I could program a 'fabulous, I love it' kind of hit season right now. I'm more interested in breakiGeorge C. Wolfe:
I pride myself on being available to as many people's stories as I possibly can.George C. Wolfe:
As a person of color, I was trained from very early on to see 'Leave It to Beaver,' 'Gilligan's IslGeorge C. Wolfe:
I think I am the first person of color to direct a major white play on Broadway. In 1993? That's asGeorge C. Wolfe:
The world doesn't see a lot of gray. The world sees black and white, and then it understands.George C. Wolfe:
The Public Theater requires one to be very public, and writing requires one to be very private.