I'm very much about stories that are fast but character development that moves slow.

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• Ann Nocenti:

  There was a Japantown in San Francisco, but after the internment camps that locked up all the Japan

• Ann Nocenti:

  I wanted the new Green Arrow to somehow sense his long, brutal past. It's like someone who has past

• Ann Nocenti:

  Is it possible to run a big industrial corporation in a benevolent fashion? We see these days that

• Ann Nocenti:

  The things that churned inside Daredevil were deeply religious, somewhat guilt-driven traces of the

• Ann Nocenti:

  I've never written a character that wasn't burdened by years of pain and trauma. Let's face it: Mos

• Ann Nocenti:

  I have a fascination for extra-judicial societies and underground cultures, and in situations where

• Ann Nocenti:

  Mythology contains a rich history of legendary weapons, most famously 'Excalibur,' weapons that cou

• Ann Nocenti:

  I am inspired by both Japanese Samurai films, in particular the films of Kurosawa, and how they sha

• Ann Nocenti:

  I am thrilled to be working with Alex Sanchez as the artist on 'Katana.' His work is wildly eclecti

• Ann Nocenti:

  When I first started writing comics, in the way-back days, Typhoid Mary was my explosive response t