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In a world without any criticism at all, although there are many actors who would think they would
In a world without any criticism at all, although there are many actors who would think they would
In a world without any criticism at all, although there are many actors who would think they would
In a world without any criticism at all, although there are many actors who would think they would
In a world without any criticism at all, although there are many actors who would think they would
In a world without any criticism at all, although there are many actors who would think they would
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Terry Teachout:
Critics at their best are independent voices; people take seriously their responsibility to see asTerry Teachout:
There's a playwright named S.M. Berryman, Sam Berryman, who wrote these kinds of social comedies. TTerry Teachout:
David Cromer, from Chicago, I think is the most gifted young director in America.Terry Teachout:
There is still a lot to be said for the well-made, witty, clever, three-act comedy.Terry Teachout:
All of the most popular music of the '30s and '40s were deeply informed by jazz.Terry Teachout:
I believe deeply that jazz is still a very vital music that has much to say, not just to eggheads,Terry Teachout:
Tom Stoppard, the English-speaking world's brainiest playwright, thinks that British audiences haveTerry Teachout:
It's certainly no secret that American students are taught less and less about the canonical literaTerry Teachout:
I feel quite confident that audiences on both sides of the Atlantic are growing 'dumber,' if what yTerry Teachout:
I don't know anybody in the opera business who isn't worried sick about how best to reach out to un