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In Britain, the theatre has traditionally been where the public goes to think about its past and de
In Britain, the theatre has traditionally been where the public goes to think about its past and de
In Britain, the theatre has traditionally been where the public goes to think about its past and de
In Britain, the theatre has traditionally been where the public goes to think about its past and de
In Britain, the theatre has traditionally been where the public goes to think about its past and de
In Britain, the theatre has traditionally been where the public goes to think about its past and de
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John Lahr:
Dame Edna is that rarest sighting in our time of the absolute comic, an inspired personification ofJohn Lahr:
A prose writer never sees a reader walk out of a book; for a playwright, it's another matter. An auJohn Lahr:
Theatre people, who are an adaptive species, know that to remain sane in the process of productionJohn Lahr:
Broadway shows in New York draw two times the attendance of all New York sports teams put together.John Lahr:
'Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'PeresJohn Lahr:
Writers don't always know what they mean - that's why they write. Their work stands in for them. OnJohn Lahr:
Nobody has ever gone broke selling escape to the American public.John Lahr:
Theatre is a game of hide-and-seek. For both the hiders and the seekers, the thrill is in the discoJohn Lahr:
When Elvis made his mass-media debut on 'The Ed Sullivan Show' - his notorious gyrations filmed onlJohn Lahr:
We were postwar middle-class white kids living in the slipstream of the greatest per-capita rise in