In chess, there are some extremely beautiful things in the domain of movement, but not in the visual domain. It's the imagining of the movement or of the gesture that makes the beauty in this case.

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• Marcel Duchamp:

  I was highly attracted to chess for forty or forty-five years; then, little by little, my enthusias

• Marcel Duchamp:

  I really had no program or any established plan. I didn't even ask myself if I should sell my paint

• Marcel Duchamp:

  Things were sort of Bohemian in Montmartre - one lived, one painted, one was a painter - all that d

• Marcel Duchamp:

  One is a painter because one wants so-called freedom; one doesn't want to go to the office every mo

• Marcel Duchamp:

  If only America would realize that the art of Europe is finished - dead - and that America is the c

• Marcel Duchamp:

  The danger is in pleasing an immediate public: the immediate public that comes around you and takes

• Marcel Duchamp:

  It's a product of two poles - there's the pole of the one who makes the work, and the pole of the o

• Marcel Duchamp:

  A painting that doesn't shock isn't worth painting.

• Marcel Duchamp:

  What would I do with money? I have enough for my needs. I don't want any more. If I had a lot, I wo

• Marcel Duchamp:

  Painting is a language of its own. You cannot interpret one form of expression with another form of