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In horror movies, you can write music that if it was performed on the concert stage would have the
In horror movies, you can write music that if it was performed on the concert stage would have the
In horror movies, you can write music that if it was performed on the concert stage would have the
In horror movies, you can write music that if it was performed on the concert stage would have the
In horror movies, you can write music that if it was performed on the concert stage would have the
In horror movies, you can write music that if it was performed on the concert stage would have the
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Christopher Young:
People who work in horror know they are contributing to a genre that has always been loved and willChristopher Young:
'Sinister' is the first score I've done in which there's no orchestra in it whatsoever. There are tChristopher Young:
I don't care how inventive you are; once you introduce strings into the ensemble for a horror film,Christopher Young:
'Psycho' is probably the best known example of a horror film whose exclusive sound was strings, andChristopher Young:
Usually when I am approached to do a score for a horror movie, it's to attempt a repeat performanceChristopher Young:
Writing in the electronic world, you imagine a sound, and then you have to go and find it. It's notChristopher Young:
Horror films are the ones that pay the bills, and historically, they have shown that they are goodChristopher Young:
Film composers are the most prolific music makers on this planet, and most of us are, like, losingChristopher Young:
I don't think when I started off that I was expecting to become so specialized, but what happened iChristopher Young:
I've always had a fascination for everything surrounding things that are unexplainable. Not surpris