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In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to ge
In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to ge
In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to ge
In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to ge
In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to ge
In Sonic Youth, at the end of 'Expressway to Yr. Skull,' we'd tap on the backs of our guitars to ge
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Lee Ranaldo:
My wife's from Canada, and we're Canadian citizens.Lee Ranaldo:
Being a guy who was a geek with tape machines in the early days and really interested in how recordLee Ranaldo:
Sonic Youth was a collective. There's something fantastic about the idea of making music is a sociaLee Ranaldo:
I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitarLee Ranaldo:
Sonic Youth has a very democratic process for the most part. It almost doesn't matter who brings inLee Ranaldo:
I really liked the Jean-Luc Godard movie, 'Film Socialisme.'Lee Ranaldo:
I guess, from the beginning, Thurston and Kim were the dominant singers in the band, and although ILee Ranaldo:
We're not really an underground band anymore, and we're not a mainstream band, either.Lee Ranaldo:
The Grateful Dead always had their iconography down pat.Lee Ranaldo:
There is still nothing under the sun quite like a Grateful Dead concert.