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In 'The Birth of a Nation,' Griffith made audiences see the Civil War through his eyes - the eyes o
In 'The Birth of a Nation,' Griffith made audiences see the Civil War through his eyes - the eyes o
In 'The Birth of a Nation,' Griffith made audiences see the Civil War through his eyes - the eyes o
In 'The Birth of a Nation,' Griffith made audiences see the Civil War through his eyes - the eyes o
In 'The Birth of a Nation,' Griffith made audiences see the Civil War through his eyes - the eyes o
In 'The Birth of a Nation,' Griffith made audiences see the Civil War through his eyes - the eyes o
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Richard Corliss:
'The Birth of a Nation' occupies a view of the South not far from Scarlett O'Hara's in 'Gone With tRichard Corliss:
In their plush melodies and plummy platitudes, many Rodgers-and-Hammerstein songs were secular hymnRichard Corliss:
Musical chairs or Russian roulette? Sometimes there's as much tense drama in the casting of a HollyRichard Corliss:
The big gamble in 'Focus' - it's a Will Smith movie that dares to be small.Richard Corliss:
The people who run Hollywood are supposed to be masters at creating drama, suspense, thrills - at pRichard Corliss:
Lesley Gore's part-time field was pop singer, and in her brief but urgent prime, she was the QueenRichard Corliss:
'Birdman' is basically 'All About Eve' - the 1950 comedy about rehearsal rivalries in a Broadway shRichard Corliss:
The 1930s birthed two great agrarian novels: 'Gone with the Wind' from the viewpoint of the rulingRichard Corliss:
Soviet moviegoers gazed enviously on the jalopy that took the Joads from Oklahoma to California. ThRichard Corliss:
A movie like 'Selma' should be a relic in a time capsule from 1965, a clue to how well we heeded Ki