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In the case of 'The Deep,' because of the people involved, the talent and the real lives of people
In the case of 'The Deep,' because of the people involved, the talent and the real lives of people
In the case of 'The Deep,' because of the people involved, the talent and the real lives of people
In the case of 'The Deep,' because of the people involved, the talent and the real lives of people
In the case of 'The Deep,' because of the people involved, the talent and the real lives of people
In the case of 'The Deep,' because of the people involved, the talent and the real lives of people
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Baltasar Kormakur:
If you make a film too American, it won't travel. It will have no life outside of its own country.Baltasar Kormakur:
I used to sail a lot in all kinds of weather, competing on small sailboats in the ocean. And I travBaltasar Kormakur:
When I write and develop things myself, I might work for a while on a script from a book, and thenBaltasar Kormakur:
I have no problems with remakes, and I think it's interesting. I mean, coming from the theater, we'Baltasar Kormakur:
For me, the source material can come from anywhere. It can be a poem, it can be a dream, it can beBaltasar Kormakur:
In Iceland, the weather is the biggest character you deal with every day. There's nothing more releBaltasar Kormakur:
The thing about Iceland is that we are trapped there anyway, all of us. We have been trapped thereBaltasar Kormakur:
I consider myself more a European director who is from Iceland than an Icelandic director.Bam Margera:
One time my mom tried to ground me, but that lasted 15 minutes.Bam Margera:
The neighbors could be as mad as they want, but I'm not running a business at the house. It's just