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In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the
In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the
In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the
In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the
In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the
In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the
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Wynton Marsalis:
I'm just lucky to have the type of friends and musicians and people dedicated to my music that I doWynton Marsalis:
I didn't have a philosophical understanding of music until I came to New York. I didn't understandWynton Marsalis:
The blues. It runs through all American music. Somebody bending the note. The other is the two-beatWynton Marsalis:
The main three components are the blues, improvisation - which is some kind of element that peopleWynton Marsalis:
I feel that for years of teaching in the country and reading criticism in books, I feel like the thWynton Marsalis:
The heart of a music is its rhythm. The heart of rhythm section music is the rhythm.Wynton Marsalis:
My thing is, once you start to put a backbeat on your music or something that has a machine in it,Wynton Marsalis:
What I've learned how to do as I've gotten older is to take all of the information that I have, andWynton Marsalis:
The majority of the high schools and the public schools in N.Y.C. don't even have band programs. HiWynton Marsalis:
Jazz music creates so many phenomenal figures.