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In 'Tom and Jerry,' there was hardly any dialogue at all. It was all action. It required a great ma
In 'Tom and Jerry,' there was hardly any dialogue at all. It was all action. It required a great ma
In 'Tom and Jerry,' there was hardly any dialogue at all. It was all action. It required a great ma
In 'Tom and Jerry,' there was hardly any dialogue at all. It was all action. It required a great ma
In 'Tom and Jerry,' there was hardly any dialogue at all. It was all action. It required a great ma
In 'Tom and Jerry,' there was hardly any dialogue at all. It was all action. It required a great ma
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William Hanna:
I think that - whether I should admit this or not - Joe and I, going back to 'Tom and Jerry,' haveWilliam Hanna:
'Tom and Jerry' seemed to be as well liked by adults as by children. 'The Flintstones,' of course,William Hanna:
The concept of the characters in animal skins and us satirizing modern technology made it fun. ButWilliam Hanna:
I was attracted to Joe right away. He was and is one of the greatest cartoon artists I've ever met.William Hanna:
We almost decided on a dog and a fox before we hit on the idea of using a cat and mouse.William Hanna:
I think 'The Simpsons' is in the right time slot because it's not a show for kids. It's too vulgar.William Hanna:
We became very good in developing comical sight gags when we made 'The Flintstones.'William Hanna:
Initially, it was sort of devastating to lose full animation and go limited.William Hanna:
'The Flintstones' was the first animated series to appear on nighttime TV.William Hanna:
I used to watch 'The Honeymooners' and laughed so much I'd fog up the inside of the lenses of my gl