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Increase of material comforts, it may be generally laid down, does not in any way whatsoever conduc
Increase of material comforts, it may be generally laid down, does not in any way whatsoever conduc
Increase of material comforts, it may be generally laid down, does not in any way whatsoever conduc
Increase of material comforts, it may be generally laid down, does not in any way whatsoever conduc
Increase of material comforts, it may be generally laid down, does not in any way whatsoever conduc
Increase of material comforts, it may be generally laid down, does not in any way whatsoever conduc
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Alice Oswald:
At each moment, a poem might grow into a totally different shape. It is not so much like working inAlice Oswald:
I much preferred Latin to Greek. I loved the language being such a pattern that you could not shiftAlice Oswald:
At eight, I made a commitment to poetry. Until then, I thought I'd be a policeman. But I went a whoAlice Oswald:
I never meant to be a full-time poet: I started out as a gardener, an ideal job for a poet becauseAlice Oswald:
To be a poet is as serious, long-term and natural as the effort to be the best human you can be. ToAlice Oswald:
I like Patti Smith's lyrics, and sometimes think I could be influenced by them. But she has a kindAlice Oswald:
One night, I lay awake for hours, just terrified. When the dawn finally came up - the comfortable bAlice Oswald:
I try not to invent; I try simply to translate the weird language of the natural world. And I'm notAlice Oswald:
Even when writing your own poems, you need to talk to people; you need to magpie around, getting woAlice Oswald:
I've always felt, with 'The Iliad,' a real frustration that it's read wrong. That it's turned into