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Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to
Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to
Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to
Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to
Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to
Influence is a very unpleasant subject and I deal with it in a maybe irresponsible way, which is to
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Rem Koolhaas:
The work in S, M, L, XL was almost suicidal. It required so much effort that our office almost wentRem Koolhaas:
I think one of the important evolutions is that we no longer feel compulsively the need to argue, oRem Koolhaas:
The areas of consensus shift unbelievably fast; the bubbles of certainty are constantly exploding.Rem Koolhaas:
Any architectural project we do takes at least four or five years, so increasingly there is a discrRem Koolhaas:
Not many architects have the luxury to reject significant things.Rem Koolhaas:
If you have this reputation you can sit back and endure it, or you can try to do things with it.Rem Koolhaas:
Escape from the architecture ghetto is one of the major drivers and has been from the very beginninRem Koolhaas:
The luxury of our position now is that we can almost assemble any team to address any issue.Rem Koolhaas:
The great problem of the concert hall is that the shoebox is the ideal shape for acoustics but thatRem Koolhaas:
The thing is that I have a really intense, almost compulsive need to record. But it doesn't end the