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It is about this very abstract sense of displacement that he feels the moment he turns off the tele
It is about this very abstract sense of displacement that he feels the moment he turns off the tele
It is about this very abstract sense of displacement that he feels the moment he turns off the tele
It is about this very abstract sense of displacement that he feels the moment he turns off the tele
It is about this very abstract sense of displacement that he feels the moment he turns off the tele
It is about this very abstract sense of displacement that he feels the moment he turns off the tele
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Atom Egoyan:
The programme has ended, something has finished, and he has a sense of something having finished itAtom Egoyan:
These sorts of things can happen, identities can be switched, the emotional implications are somethAtom Egoyan:
The film camera's ability to physically move through space, not zoom through space - every time weAtom Egoyan:
These are very subtle things, of course, and I don't expect everyone to pick them up consciously, bAtom Egoyan:
The whole film is about people being convinced that they can reduce themselves to their archetypes.Atom Egoyan:
The father's greatest folly is that he believes he can be a much more simple person than he is; heAtom Egoyan:
That is where the irony of the film comes off, in terms of the language it employs - where he triesAtom Egoyan:
You are traveling and see these people shooting the entire experience of going through a city, andAtom Egoyan:
When you make a film like this, you must have the highest expectations of your audience. Having worAtom Egoyan:
I've just been very, very lucky with the film having been introduced in the right way.