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It is curious to note how fragile the memory is, even for the important times in one's life. This i
It is curious to note how fragile the memory is, even for the important times in one's life. This i
It is curious to note how fragile the memory is, even for the important times in one's life. This i
It is curious to note how fragile the memory is, even for the important times in one's life. This i
It is curious to note how fragile the memory is, even for the important times in one's life. This i
It is curious to note how fragile the memory is, even for the important times in one's life. This i
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Marcel Duchamp:
I would have to think about it for two or three months before I decided to do something which wouldMarcel Duchamp:
In the 'Nude Descending a Staircase,' I wanted to create a static image of movement: movement is anMarcel Duchamp:
In French, there is an old expression, la patte, meaning the artist's touch, his personal style, hiMarcel Duchamp:
The great problem was the selection of the readymade. I needed to choose an object without it impreMarcel Duchamp:
The basis for my own work during the years just before coming to America in 1915 was a desire to brMarcel Duchamp:
I came to feel an artist might use anything - a dot, a line, the most conventional or unconventionaMarcel Duchamp:
In the midst of each epoch, I fully realize that a new epoch will dawn.Marcel Duchamp:
Words are the tools of 'to be' - of expression. They are completely built on the fact that you 'areMarcel Duchamp:
I like living, breathing better than working... Each second, each breath is a work which is inscribMarcel Duchamp:
Artists of all times are like the gamblers of Monte Carlo, and this blind lottery allows some to su